Top 10 exhibitions in London (updated for 2025)

The Anmatyerr artist Emily Kam Kngwarray only took up painting during the last decade of her life. Making up for lost time, she produced thousands of paintings in the years leading up to her death in 1996. She worked frenetically, changing her style multiple times.

Why go: The show presents museum goers with an alternative way of looking at art itself. This, the artist’s first major European solo exhibition, is an impressive introduction to a singular talent.

Featuring 250 objects, including loans from Versailles that have never been exhibited outside of France before now, Marie Antoinette Style takes visitors on a journey through the ill-fated queen’s forward-thinking wardrobe, dizzyingly elaborate jewellery, lavish interiors, huge hairstyles and enduring influence on fashion and art today.

Why go? The show is a joy to experience, and a must-see for anyone with a modicum of interest in fashion. It is a thorough, moving and vivacious display of a young woman with expensive tastes and the budget to match.

In the first of a three-part exhibition, the tall, wiry works of Alberto Giacometti stand beside the hybrid, fragmented figures of Pakistani-American sculptor Huma Bhabha. Where Giacometti’s figures are stretched and attenuated, expressing solitude and existential suffering, Bhabha fractures the human form more explicitly, tearing it apart.

Why go: Though separated by decades, these artists share a profound interest in the aftermath of war and the psychological scars left behind. For them, fragility is more than physical material – it is a lens through which the human condition itself is explored.

From the controversial £1,400 Balenciaga destroyed trainers, to Jordanluca’s pee-soaked jeans, and dresses that have been pulled out of bogs, Dirty Looks peers at the muckier side of fashion design. The exhibition, featuring more than 120 garments from designers including Maison Margiela, Alexander McQueen, Vivienne Westwood and Issey Miyake, takes a clever thematic approach to the philosophy of dirt within fashion, showing how ideas around industrialisation, colonisation, the body, and waste, can be illustrated on the runway. 

Why go? This show will gross you out, make you think and challenge your perception of haute couture. Not glitzy or shiny, Dirty Looks is a raw, honest and edgy display that should be enough to convince anyone that fashion is art. 

This major exhibition showcases three decades of work by South Korean conceptual artist Do Ho Suh, reflecting on themes of memory and migration via vast fabric sculptures and meticulous architectural installations. In an age defined by global migration and shifting borders, Suh views the home as a charged space: at once personal and political, defining a threshold between private and public, past and present.

Why go: Suh’s intricately rendered fabric and paper reconstructions of the houses he’s inhabited go beyond architectural replication: they chart emotion, displacement and adaptation, and they do so beautifully.

A second outing in five years for the trailblazing 20th century photographer, Cecil Beaton’s Fashionable World presents Beaton as more than just a photographer. Younger audiences are likely to find this show more relatable, through its emphasis on his contributions to costume and set design, given their ascendant roles in contemporary fashion. From curious beginnings to his rise through the cultural upper-class, his war photography and costume designs for My Fair Lady, we get a good look at how places and periods influenced Beaton’s style. 

Why go? Elaborately grandiose outfits, celebrities and stylish hedonism, Beaton’s lens captures the luxury of 1920s high society right from the epicentre. Visiting this show will leave you feeling chic by association. 

Since 2021, the Cosmic House – the fascinating former home of revered postmodernist landscape architect Charles Jencks – has operated as a museum. Each year, the Jencks Foundation commissions an artist to respond to the surroundings. This time round, it’s a video work by Lithuanian-born musician Lina Lapelytė, composed of 12 screens dotted around the house to be hunted down like a game of hide and seek. 

Why go: Beautiful and peculiar, this is immersive art as it should be. It’s also a chance to see some jaw-droppingly gorgeous interiors.

It’s hard to know if Italian Renaissance master Andrea Mantegna was issuing a doom-laden warning or just a doe-eyed love letter to history. Because written into the nine sprawling canvases of his ‘Triumphs of Caesar’ (six of which are on show here while their gallery in Hampton Court Palace is being renovated) is all the glory and power of Ancient Rome, but its eventual collapse too.

Why go: Peer into the peak of empire, of grandeur and riches and dominance and avarice and cruelty and subjugation, before an inevitable fall. 

Peter Doig is one of the greatest living painters, an artist whose approach to hazy, memory-drenched figuration has had an enormous impact on the visual landscape of today. For his show at the Serpentine, he’s going well beyond the canvas, filling the gallery with speaker systems to explore the impact of music on his work.

Why go? Despite a few technical issues with Doig’s re-creation of a hi-fi listening bar, his majestic paintings speak volumes. House of Music is a wonderful showing from an artist with very little left to prove. 

Celebrating the centenary of one of Picasso’s most iconic artworks, The Three Dancers, this exhibition explores the Spanish artist’s fascination with performers – including dancers, bullfighters, musicians, acrobats and other entertainers – via more than 45 works ranging from paintings and sculpture to textile and works on paper, some of which are being exhibited in the UK for the first time. They’ll be exhibited in an appropriately theatrical environment too, courtesy of courtesy of contemporary artist and filmmaker Wu Tsang and author and curator Enrique Fuenteblanca, who will transform the Tate Modern’s exhibition rooms into a theatre space that will host a variety of dance and performance pieces throughout the exhibition, including an excerpt from Carmen presented by interdisciplinary arts collective Moved by the Motion, and a site-specific work by flamenco artist Yinka Esi Graves. 

Why go? Picasso exhibitions might be ten a penny in London these days, but this one sounds like it might stand out.